TOMASHI JACKSON
Born in Houston, TX, 1980
Lives and works in New York, NY and Cambridge, MA
Education
2019 Skowhegan School of Painting and Sculpture, Madison, ME
2016 MFA, Yale School of Art, New Haven, CT
2012 MS, MIT School of Architecture and Planning, Cambridge, MA
2010 BFA, The Cooper Union for the Advancement of Science and Art, New York, NY
Solo Exhibitions
2024
Silent Alarm, Pilar Corrias, London, UK
2023
Tomashi Jackson: Across the Universe, Museum of Contemporary Art, Denver, CO; Institute of Contemporary Art Philadelphia, 2024; Tufts University Art Galleries, 2024
Minute By Minute, Night Gallery, Los Angeles, CA
2022
The Great Society, Tilton Gallery, New York, NY
SLOW JAMZ, Neuberger Museum of Art, Purchase, NY
2021
The Land Claim, Parrish Art Museum, Water Mill, NY
Brown II, Radcliffe Institute for Advanced Study, Harvard University, Cambridge, MA
2020
Love Rollercoaster, Wexner Center for the Arts, Columbus, OH
Forever My Lady, Night Gallery, Los Angeles, CA
2019
Time Out of Mind, Tilton Gallery, New York, NY
2018
Interstate Love Song, Zuckerman Museum of Art, Kennesaw State University, Kennesaw, GA
2016
The Subliminal Is Now, Tilton Gallery, New York, NY
2014
Love Economy: Emerging Visions of the African American Experience, Michigan State University,
Residential College in the Arts and Humanities, East Lansing, MI
Group Exhibitions
2024
Century: 100 Years of Black Art at MAM, Montclair Art Museum, Montclair, NJ
Form and Feeling, curated by Ashton Cooper, Night Gallery, Los Angeles, CA
Power of the People: Art and Democracy, Museum of Fine Arts, Boston, MA
2023
Going Dark: The Contemporary Figure at the Edge of Visibilty, Solomon R. Guggenheim Museum, New York, NY
Multiplicity: Blackness in Contemporary American Collage, Frist Art Museum, Nashville, TN, traveled to the Museum of Fine Arts, Houston and The Phillips Collection, Washington, D.C. in 2024
Narrative as Reality: Constructing an Identity, Martin Museum of Art, Baylor University, Waco, TX
2022
What Is Left Unspoken, Love, High Museum of Art, Atlanta, GA
Working Thought, Carnegie Museum of Art, Pittsburgh, PA
The New Bend, curated by Legacy Russell, Hauser & Wirth, New York, NY traveled to Hauser & Wirth, Los Angeles, CA in 2022; Hauser & Wirth, Somerset, UK in 2023
Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY
A Species of Theft, Gallery 400, University of Illinois Chicago, Chicago, IL
2021
Encounters: Recent Acquisitions to the Permanent Collection, Parrish Art Museum, Water Mill, NY
New Light: Encounters and Connections, Museum of Fine Arts, Boston, MA
Now Is The Time, The Baltimore Museum of Art, Baltimore, MD
Off the Record, Solomon R. Guggenheim Museum, New York, NY
Light, curated by Rico Gaston, Miles McEnery Gallery, New York, NY
2021 Texas Biennial: A New Landscape, A Possible Horizon, San Antonio and Houston, TX
2020
States of Mind: Art and American Democracy, The Moody Center for the Arts, Houston, TX
Majeure Force, Night Gallery, Los Angeles, CA
Young Gifted and Black: The Lumpkin Boccuzzi Family Collection of Contemporary Art, Lehman College Gallery of Art, Bronx, NY
Slowed and Throwed: Records of the City Through Mutated Lenses, Contemporary Arts Museum Houston, Houston, TX
2019
Great Force, The Institute for Contemporary Art, Virginia Commonwealth University, Richmond, VA
Rosebud, Matthew Marks Gallery, Los Angeles, CA
cart, horse, cart, curated by Michael Goodson, Lehmann Maupin Gallery, New York, NY
Hold On Hold Me, curated by Kenny Rivero, Charles Moffett Gallery, New York, NY
Whitney Biennial, curated by Rujeko Hockley and Jane Panetta, Whitney Museum of American Art, New York, NY
Hinge Pictures: Eight Women Artists Occupy the Third Dimension, Contemporary Arts Center, New Orleans, LA
2018
The Strangeness Will Wear Off, David Castillo Gallery, Miami, FL
New Suns, Pararmo Galeria, Guadalajara, Mexico
Nine Moments for Now, Ethelbert Cooper Gallery of African & American Art, Hutchins Center, Harvard, Cambridge, MA
Take Up Space, Pizzuti Collection, Columbus, OH
What We Make, Richard M. Ross Museum, Ohio Wesleyan University, Delaware, OH
Cosmic Traffic Jam, Zevitas Marcus, Los Angeles, CA
Form Shapes Language, Morán Morán, Los Angeles, CA
Surface of a Sphere, Klowden Mann Gallery, Los Angeles, CA
Give and Take: Highlighting Recent Acquisitions, Museum of Contemporary Art, Los Angeles, CA
Re:Framed, Re: Art Show, Brooklyn, NY, (curated by Jane Cavalier and Nicole Kaack)
The Legacy of the Cool: A Tribute to Barkley L. Hendricks, Massachusetts College of Art and Design, Boston, MA
2017
On Documentary Abstraction, ArtCenter/South Florida, Miami Beach, FL
Souvenirs: New New York Icons, Storefront for Art and Architecture, New York, NY
Immigrancy, Samson Projects, Boston, MA
Say It Loud: Art, History, Rebellion, Charles H. Wright Museum of African American History, Detroit, MI
In the Abstract, MASS MoCA, North Adams, MA
2016
Double Dip, Yale School of Art, New Haven, CT
2015
“Tools for Remediation (Red76 Artist Collective),” Hippie Modernism: The Struggle for Utopia, Walker Art Center, Minneapolis, MN
Art in Odd Places 2015: RECALL, New Museum, New York, NY
RESPOND, Smack Mellon, Brooklyn, NY
2014
History Design Studio, Hutchins Center for African and African American Research, Harvard University, Cambridge, MA
Living As Form, Carpenter Center for Visual Arts, Harvard University, Cambridge, MA
The Measure of All Things, Claire Trevor School of the Arts, University of California Irvine, Irvine, CA
2013
Ex•ile, El Rincon Social, Houston, TX
2012
Bring Your Own Beamer, Knockdown Center, Queens, NY
Art in Odd Places 2012: MODEL, New York, NY
Bruceforma, Performance Dome, MoMA PS1, Long Island City, NY
2011
Experience Economies 4: A Chamber Play, Harvard University, Cambridge, MA
2010
The Brucennial/Bruceforma 2, The Bruce High Quality Foundation, New York, NY
Going Under, The Cooper Union, New York, NY
2009
Liberating Landscapes, Togonon Gallery, San Francisco, CA
Fever Grass (A Benjamin Menschel Fellowship Exhibition), The Cooper Union New York, NY
2008
Drawing Atmosphere, Super Front Architectural Exhibition Space, Brooklyn, NY
Publication-Schmublication, The Broadway Gallery, New York, NY 2007
For All We Know, The Cooper Union New York, NY
2001
Soul on Rice: A Two-Woman Exhibition, Togonon Gallery, San Francisco, CA
Professional Experience and Residencies
2022
Boulder Museum of Contemporary Art + Swoon International Artists Residency, Swoon Art House, Boulder, CO
2021
Artist-in-Residence, The Watermill Center, Watermill, NY
Visiting Lecturer, Harvard University, Cambridge, MA
2019
ARCAthens Visual Art Fellow, Athens, Greece
Adjunct Professor of Sculpture, Cooper Union School of Art, New York, NY
2018
Adjunct Professor of Painting, Rhode Island School of Design, Providence, RI
Adjunct Professor of Drawing, Cooper Union School of Art, New York, NY
2017
Adjunct Professor of Painting, Rhode Island School of Design, Providence, RI
Assistant Professor, Studio for Interrelated Media, Massachusetts College of Art & Design, Boston, MA
2016
Adjunct Professor of Drawing, Massachusetts College of Art & Design, Boston, MA
Visiting Artist & Guest Critic, New York University, New York, NY
Game Recognize Game: Artists and Athletes Speaker Series, Yale University, New Haven, CT
2015-2016
Guest Critic, Massachusetts College of Art and Design, Boston, MA
Appointed Teacher’s Assistant, Yale School of Art, New Haven, CT
2011-2013
Video Editor for Otto Piene and Elizabeth Goldring, Boston, MA 2011
“The Uncertainty Principle” by Bernard Burke, Live Play Reading, Massachusetts Institute of Technology, Cambridge, MA
TalkDraw@MIT, Massachusetts Institute of Technology, Cambridge, MA
Artist in Residence, The Buckley School, Sherman Oaks, CA
2009
Curator, Fever Grass (A Benjamin Menschel Fellowship Exhibition), The Cooper Union New York, NY
2008
Curator, Drawing Atmosphere, Super Front Architectural Exhibition Space, Brooklyn, NY
Everything There and Not There, The Broadway Gallery, New York, NY Curator, Publication-
Schmublication, The Broadway Gallery, New York, NY
Lead Facilitator, Harlem School for the Arts, New York, NY
Fellowships, Grants, and Awards
2023
24th Rappaport Prize, de Cordova Sculpture Park and Museum, Lincoln, MA
2022
Roy R. Neuberger Prize, Neuberger Museum of Art, Purchase, NY
2020
Joan Mitchell Foundation Painters & Sculptors Grant
2019
Andy Warhol Foundation Grant Recipient for Support for a Single Exhibition at the Parrish Art Museum, Southampton, NY, (Summer 2020)
2016
Toby Devan Lewis Prize 2016, Yale School of Art, New Haven, CT 2015-2016
Blair Dickinson Memorial Scholarship, Yale University School of Art, New Haven, CT
2015
Alice Kimball English Traveling Fellowship, Yale University School of Art, New Haven, CT
JUNCTURE: Art and Human Rights Law Fellowship, Orville H. Schell, Jr.
Center for International Human Rights, Yale Law School, New Haven, CT
2012
MIT Office of the Dean of Graduate Education, Graduate Student Life Grant, Massachusetts Institute of Technology, Cambridge, MA
2011
MIT Office of the Dean of Graduate Education, Diversity Fellowship, Massachusetts Institute of Technology, Cambridge, MA
MIT Council for the Arts, Project Grant, Massachusetts Institute of Technology, Cambridge, MA
2010-2011
MIT Presidential Tuition Fellowship, Massachusetts Institute of Technology, Cambridge, MA
2010
Richard Lewis Bloch Memorial Prize, The Cooper Union, New York, NY 2008
Benjamin Menschel Fellowship for Creative Inquiry, The Cooper Union, New York, NY
2005
Full-Tuition Scholarship, The Cooper Union, New York, NY
Public Collections
The Baltimore Museum of Art, Baltimore, MD
The Carnegie Museum of Art, Pittsburgh, PA
Glenstone Museum, Potomac, MD
The High Museum of Art, Atlanta, GA
Montclair Art Museum, Montclair, NJ
The Museum of Contemporary Art, Los Angeles, CA
Museum of Fine Arts, Boston, MA
Parrish Art Museum, Water Mill, NY
Pérez Art Museum Miami, FL
Pizzuti Collection of the Columbus Museum of Art, Columbus, OH
Solomon R. Guggenheim Museum, New York, NY
The Studio Museum in Harlem, New York, NY
The Whitney Museum of American Art, New York, NY
Publications
Lash, Miranda, contributions by Megan O'Grady, Nikita Gale, Robin D.G. Kelley, Liz Munsell, Larry Ossei-Mensah, and Zoé Whitley. Tomashi Jackson: Across the Universe. Rizzoli Electa, 2024.
Fitzpatrick, Tracy, Tomashi Jackson, adn Helaine Posner. Tomashi Jackson: SLOW JAMZ, Neuberger Museum of Art, 2022.
Erni, Corinne, Tomashi Jackson, Eric N. Mack, and Kelly Taxter. Tomashi Jackson: The Land Claim. Parrish Art Museum, 2021.
Hunt, Courtney and Michele Jennings. My Work Is Work: Artistic Research Practice and Knowledge Creation in the Work of Carmen Winant and Tomashi Jackson. Art Documentation: Journal of the Art Libraries Society of North America. Volume 40, Number 1, Spring 2021. Pages 33-51.
Sarra, Janis and Cheryl L. Wade. Predatory Lending and the Destruction of the African-American Dream. Cambridge University Press, 2020. Cover by Tomashi Jackson.
Vogel, Rachel, ed. Tomashi Jackson: Brown II. Radcliffe Institute for Advanced Study, Harvard University, 2020.
Sargent, Antwaun, ed. Young, Gifted and Black: A New Generation of Artists. Distributed Art Publishers, Inc., 2020.
Bibliography
Whyte, Murray. “Tomashi Jackson speaks truth to painful history in ‘Across the Universe’ at Tufts Art Galleries.” The Boston Globe, October 3, 2024.
https://www.bostonglobe.com/2024/10/03/arts/tomashi-jackson-speaks-truth-painful-history-across-universe-tufts-art-galleries/?event=event12
Miller, Helen. “Tomashi Jackson” Atforum, September 16, 2024.
https://www.artforum.com/events/tomashi-jackson-critics-pick-559297/
McQuaid, Cate. “Tomashi Jackson often asks herself, ‘Can art handle this for me?’” The Boston Globe, September 9, 2024.
https://www.bostonglobe.com/2024/09/09/arts/working-artist-painter-tomashi-jackson/
Sharma, Meara. “Tomashi Jackson.” Artforum, Summer 2024.
https://www.artforum.com/events/meara-sharma-tomashi-jackson-pilar-corrias-2024-554851/
Ogden, Claire. “Tomashi Jackson layers in the history in a midcareer retrospective show at Tufts” Cambridge Day, July 28, 2024.
https://www.cambridgeday.com/2024/07/28/tomashi-jackson-layers-in-the-history-in-a-midcareer-retrospective-show-at-tufts/
Aton, Francesca. "Tomashi Jackson Probes American Democracy in Her Multilayered Work." Art in America, May 30, 2024.
https://www.artnews.com/art-in-america/interviews/tomashi-jackson-across-the-universe-ica-philadelphia-1234708249/
Proctor, Brittnay. "To Stay and Linger, 'Tomashi Jackson: Across the Universe." Cultbytes, May 4, 2024.
https://cultbytes.com/tomashi-jackson-across-the-universe/
Sheets, Hilarie. “The Independent Art Fair Looks Back in a Special Exhibition.” The New York Times, May 3, 2024.
https://www.nytimes.com/2024/05/03/arts/design/independent-art-fair-anniversary-show.html
Pontone, Maya. "Tomashi Jackson Layers History to Reveal Contemporary Injustice." Hyperallergic, January 23, 204.
https://hyperallergic.com/866928/tomashi-jackson-layers-history-to-reveal-contemporary-injustice/
D'Souza, Aruna. "Artists of Color Ask: When is Visibility a Trap?" The New York Times, October 26, 2023.
https://www.nytimes.com/2023/10/26/arts/design/going-dark-exhibition-guggenheim.html
Bansinath, Bindu. "The Guggenheim Goes Dark: A group of artists on the perils of being seen." New York Magazine, October 23 - November 3, 2023.
https://www.vulture.com/article/guggenheim-going-dark-ashley-james.html
Onyewuenyi, Ickechúkwú. “Grief has its own abstract language. Tomashi Jackson shows you how.” Los Angeles Times, September 29, 2023.
https://www.latimes.com/lifestyle/image/story/2023-09-28/tomashi-jackson-paints-aboutgrief
Glassman-Hughes, Emma. “Somerville-based painter and multimedia artist Tomashi Jackson awarded Rappaport Prize by deCordova Sculpture Park and Musem.” The Boston Globe, August 24, 2023.
https://www.bostonglobe.com/2023/08/24/arts/tomashi-jackson-artist-wins-rappaport-prize/
The New York Times Style Magazine. "The Artist's Way: 24 Hours in the Creative Life." April 24, 2022.
https://www.nytimes.com/interactive/2022/04/21/t-magazine/culture-issue-creative-life-artists.html
Parsons-Thomason, Lian. "The Evolution of Brown." Radcliffe Magazine, November 23, 2021.
https://www.radcliffe.harvard.edu/news-and-ideas/the-evolution-of-brown-ii
Klett, Maddie. "Tomashi Jackson with Maddie Klett." The Brooklyn Rail, October 2021.
https://brooklynrail.org/2021/10/art/Tomashi-Jackson-with-Maddie-Klett
Wells, George. "Collector George Wells on How His Gift to Morehouse College Raises Hope for Future Generations." ARTnews, October 28, 2021.
https://www.artnews.com/art-news/news/george-wells-collector-morehouse-college-art-donation-1234608201/
Walsh, Colleen. "Creating art from Radcliffe Archives." The Harvard Gazette, September 27, 2021.
https://news.harvard.edu/gazette/story/2021/09/artist-draws-inspiration-from-radcliffe-archives/
Choi, Christine K. and Jorge O. Guerra. "Artist Discusses Radcliffe Institute Exhibit on Brown v. Board Court Case." The Harvard Crimson, September 21, 2021.
https://www.thecrimson.com/article/2021/9/21/new-exhibition-radcliffe-2021/
Carrier, David. "Tomashi Jackson Rediscovers Long Island's Beleaguered Past." Hyperallergic, September 15, 2021.
https://hyperallergic.com/675184/tomashi-jackson-rediscovers-long-islands-beleaguered-past/
Rosenberg, Karen. "Tomashi Jackson on the Hidden Histories of Land Dispossession in the Hamptons." Artful, August 5, 2021.
https://www.artfuljaunts.com/magazine/tomashi-jackson-on-the-hidden-histories-of-land-dispossession-in-the-hamptons
Escalante-De Mattei, Shanti. "Artist Tomashi Jackson Uncovers the Hidden Histories of Indigenous, Black, and Latinx People in the Hamptons." ARTnews, July 26, 2021.
https://www.artnews.com/art-news/artists/tomashi-jackson-parrish-art-museum-1234599689/
Sheets, Hilarie M. "Tomashi Jackson Harvests Histories From the Land of Plenty." The New York Times, July 8, 2021.
https://www.nytimes.com/2021/07/08/arts/design/tomashi-jackson-parrish-hamptons.html
Sauers, Camille. "Exhibition inspired by hip-hop legened DJ Screw busts into San Antonio's Artpace." My San Antonio, July 8, 2021.
https://www.mysanantonio.com/entertainment/arts-culture/article/An-Installation-inspired-by-Houston-Hip-Hop-16299436.php
Mullett, Liza. "The Out East Revival of Hamptons Art." Cultured, July 2, 2021.
https://www.culturedmag.com/cultured-travel-guide-the-out-east-revival-of-hamptons-art/
Haddad, Natalie. “Four Artists Recall a Year to Forget.” Hyperallergic, January 2, 2021.
https://hyperallergic.com/611545/four-artists-recall-a-year-to-forget/
Haddad, Natalie. “Tomashi Jackson’s Many Shades of Voter Suppression.” Frieze, 30 December 2020.
https://www.frieze.com/article/tomashi-jackson-love-rollercoaster-2020-review
Kamp, Justin. "Tomashi Jackson and Kahlil Robert Irving are among Joan Mitchell Foudnation Grant recipients." November 4, 2020.
https://www.artsy.net/news/artsy-editorial-tomashi-jackson-kahlil-robert-irving-awarded-year-s-joan-mitchell-foundation-grant
Chui, Vivian. "Between the Lines." Cultured Magazine, Fall 2020.
https://www.culturedmag.com/artist-tomashi-jackson-mines-the-manifold-histories-of-systemic-inequality/
Green, Tyler. "No. 467: Tomashi Jackson, Delaney & Baldwin." The Modern Art Notes Podcast, October 15, 2020.
https://manpodcast.com/portfolio/no-467-tomashi-jackson-delaney-baldwin/
Gipson, Amarie. "Project: Tomashi Jackson." Artforum, October/November 2020.
https://www.artforum.com/print/202008/project-tomashi-jackson-83960
Di Liscia, Valentina. "Artists Like Jeffrey Gibson and Carrie Mae Weems Encourage Voting with New Billboards." Hyperallergic, October 14, 2020.
https://hyperallergic.com/594615/artists-like-jeffrey-gibson-and-carrie-mae-weemsencourage-voting-with-new-billboards/
Oliphint, Joel. "Tomashi Jackson explores the ups and downs of voting in 'Love Rollercoaster'." Columbus Alive, September 29, 2020.
https://www.columbusalive.com/entertainment/20200929/tomashi-jackson-explores-ups-and-downs-of-voting-in-love-rollercoaster
Solomon, Tessa. "Tomashi Jackson's Art Reckons with America's Present and Overlooked Histories." ARTnews, September 28, 2020.
https://www.artnews.com/art-news/artists/tomashi-jackson-interview-1234571664/
Cascone, Sarah. "Editor's Picks: 17 Events for Your Art Calendar This Week, From a Peek Into MoMA's Film Vault to the Parrish Reopening." Artnet news, August 4, 2020.
https://news.artnet.com/art-world/editors-picks-august-3-2020-1897555
Lescaze, Zoë. "12 Artists On: The Financial Crisis." T Magazine, July 21, 2020.
https://www.nytimes.com/2020/07/21/t-magazine/art-financial-crisis.html
Mizota, Sharon. “Review: Hank Willis Thomas, Tomashi Jackson and a different kind of color theory.” Los Angeles Times, February 6, 2020.
https://www.latimes.com/entertainment-arts/story/2020-02-06/hank-willis-thomas-tomashi-jackson-review
Weber, Jasmine. “In Richmond, Tracing the ‘Great Force’ of American Racism.” Hyperallergic, December 19, 2019.
https://hyperallergic.com/533498/in-richmond-tracing-the-great-force-of-american-racism/
“New ICA exhibit, ‘Great Force,’ to include late Free Press founder.” Richmond Free Press, October 4, 2019.
http://richmondfreepress.com/news/2019/oct/04/new-ica-exhibit-great-force-include-late-free-pres/
Goldstein, Carol. “A Buyer’s Guide to the Whitney Biennial: What You Need to Know About the Exhibition’s Brightest Rising Stars.” Artnet news, May 22, 2019.
https://news.artnet.com/market/whitney-biennial-2019-artists-to-watch-1550506
Davis, Ben. “The 2019 Whitney Biennial Shows America’s Artists Turning Toward Coded Languages in Turbulent Times.” Artnet news, May 20, 2019.
https://news.artnet.com/exhibitions/whitney-biennial-review-1551226
Cotter, Holland. “The Whitney Biennial: Young Art Cross-Stitched With Politics.” The New York Times, May 16, 2019.
https://www.nytimes.com/2019/05/16/arts/design/whitney-biennial-review.html
Carrigan, Margaret. “Whitney Biennial aims to focus on artists but – as protests mount – it cannot escape politics.” The Art Newspaper, May 13, 2019.
https://www.theartnewspaper.com/preview/new-york-s-whitney-biennial-can-t-escape-politics-but-keeps-the-focus-on-artists
Loos, Ted. “Why These 4 Whitney Biennial Artists Art Making Waves; Galerie visits Tomashi Jackson, Wangechi Mutu, Samuel Basawule, and Lucas Blalock in their studios.” Galerie Magazine, May 10, 2019.
https://www.galeriemagazine.com/whitney-biennial-artist-studios/
Mitter, Siddartha. “The Whitney Biennial Called. How Will They Answer?” The New York Times, May 9, 2019.
https://www.nytimes.com/2019/05/09/arts/design/whitney-museum-biennial-artists.html?action=click&module=Well&pgtype=Homepage§ion=Arts
Norman, Lee Ann. “Eight Women Visual Artists Use Duchamp’s Provocation as a Springboard.” Hyperallergic, May 3, 2019.
https://hyperallergic.com/498128/eight-women-visual-artists-use-duchamps-provocation-as-a-springboard/
Cascone, Sarah. “Editor’s Picks: 18 Things Not to Miss in New York’s Art World, Frieze Week Edition.” Artnet news, April 29, 2019.
https://news.artnet.com/art-world/editors-picks-april-29-2019-1512760
Bookhardt, Eric D. “Art Review: ‘Hinge Pictures: Eight Women Artists Occupy the Third Dimension.’” Gambit, April 22, 2019. https://www.theadvocate.com/gambit/new_orleans/news/article_c5f2ca56-6134-11e9-afba-6b57fe180c14.html
Hamilton, William L. “Displaced Artists Open a New Front at the Brooklyn Army Terminal.” The New York Times, April 22, 2019.
https://www.nytimes.com/2019/04/22/arts/design/artbuilt-brooklyn-army-terminal.html
Mena, Kelly. “Noted Artist Tomashi Jackson’s Work Highlights KCP’s Real Estate Scandal Series At The Whitney.” Kings County Politics, April 15, 2019.
https://www.kingscountypolitics.com/noted-artist-tomashi-jacksons-work-highlights-kcps-real-estate-scandal-series-at-the-whitney
“Burnaway’s Best of 2018,” December 28, 2018
http://www.burnaway.com
Fitzpatrick, Kyle Raymond. “Stories Told via Sculpture, Large-scale Installations and More,” August 6, 2018.
http://www.coolhunting.com
Whitley, Zoe. “Black art: Do-it-yourself, do-it-right-now.” Financial Times, April 27, 2018.
https://www.ft.com/content/2b8fcc2a-4709-11e8-8c77-ff51caedcde6
Laster, Paul. “What to See at the Armory Show, Volta, NADA, and the Independent.” Galerie, March 5, 2018.
http://www.galeriemagazine.com/art-fair-week-armory-volta-independent-and-nada/
Martinique, Elena. “VOLTA NY 2018- A Place for Creative Discovery.” Widewalls, February 26, 2018.
https://www.widewalls.ch/volta-ny-2018/
Sirlin, Deanna. “Review: Tomashi Jackson prays for Atlanta transit in “Interstate Love Song.” Arts ATL, February 12, 2018.
http://artsatl.com/review-tomashi-jackson-prays-atlanta-transit-interstate-love-song/
Brodeur, Michael Andor. “Stoke of Genius.” The Boston Globe, January 22, 2018.
http://view.email.bostonglobe.com/
Goyanes, Rob. “On Documentary Abstraction.” The Miami Rail, January 19, 2018.
https://miamirail.org/exhibition-reviews/on-documentary-abstraction/
Mufson, Beckett. “Legacy of the Cool: A Tribute to Barkley L. Hendricks.” Vice, January 19, 2018.
https://www.vice.com/en_us/article/wjpymq/season-two-of-high-maintenance-premieres-this-weekend
Uszerowicz, Monica. “Using Abstraction as a Political Tool.” Hyperallergic, November 29, 2017.
https://hyperallergic.com/406401/on-documentary-abstraction-artcenter-south-florida/
Rakes, Rachel. “Notes on Abstraction, Politics, and Arts of the Real.” Contemporary Art Stavanger, October 10, 2017.
http://www.contemporaryartstavanger.no/notes-abstraction-politics-arts-real/
Estape, Taylor, “The Best Free Events in Miami This Week.” Miami New Times, September 25, 2017.
http://www.miaminewtimes.com/arts/best-free-events-in-miami-sept-25th-tooct-1-9696837
Rodney, Seph, “How to Embed a Shout: A New Generation of Black Artists Contend with Abstraction.” Hyperallergic, August 23, 2017.
https://hyperallergic.com/389105/how-to-embed-a-shout-anew-generation-of-black-artists- contends-with-abstraction/
McQuaid, Cate. “How Modern was Grandma Moses?” The Boston Globe, July 20, 2017.
https://www.bostonglobe.com/arts/art/2017/07/19/how-modern-was- grandmamoses/z9iWRG6gqkNDoIVh0Khz5H/story.html
Kinsella, Eileen. “Here’s What Sold at the Armory Show’s VIP Preview Day.” Artnet news, March 2, 2017.
https://news.artnet.com/market/armory-show-vip-preview-day-876563
Kinsella, Eileen. “Gallery Hopping: Last Chance To See Tomashi Jackson at Tilton Gallery.” Artnet news, December 30, 2016.
https://news.artnet.com/exhibitions/tomashi-jackson-at-tilton-gallery-799961
Puleo, Risa. “The Linguistic Overlap of Color Theory and Racism.” Hyperallergic, December 14, 2016.
https://hyperallergic.com/345021/the-linguistic-overlap-of-color-theory-and-racism/
Walker, Julie. “16 Artists Who Made Sure Black Lives Mattered at Art Basel Miami Beach.” The Root, December 5, 2016.
http://www.theroot.com/16-artists-who-made-sure-black-lives-mattered-at-art-ba-1790902701
Steinhauer, Jillian. “Reflections from Black Women Artists for Black Lives Matter.” Hyperallergic, September 15, 2016.
https://hyperallergic.com/322742/reflections-from-black-women-artists-for-black-lives-matter/
James, Ashley. “Vibrating Boundaries.” Double Dip, edited by Ashley James and Sarah Robbins, Yale School of Art, 2016, p. 56 – 61.
Tabin, Sarah. “YUAG Explores Art and Human Rights.” Yale Daily News, March 11, 2016.
http://yaledailynews.com/blog/2016/03/11/yuag-explores-art-and-human-rights/
Kirwin-Taylor, Ivan. “Game Recognize Game.” The Yale Herald, March 4, 2016.
http://yaleherald.com/culture/game-recognize-game/
Stein, Sarah. “Black Leaders Talk Sports, Art.” Yale Daily News, February 29, 2016.
http://yaledailynews.com/blog/2016/02/29/black-leaders-talk-sports-art/
Beer, Tea. “Event Explores Intersection of Art and Athletics.” Yale Daily News, February 17, 2016.
http://yaledailynews.com/blog/2016/02/17/event-explores-intersection-of-art-and-athletics/
McCoole, Veena. “Thesis Show Highlights Painting and Printmaking.” Yale Daily News, February 10, 2016.
http://yaledailynews.com/blog/2016/02/10/thesis-show-highlights-painting-and-printmaking/
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http://blackhistoryminidocs.com/bhmds-history-made.html
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http://www.thecrimson.com/article/2014/2/11/living-as-form-the-nomadic-version-carpenter- center-caleb-lewis/
Fisher, Cora. “Rhythm and Blues: Tomashi Jackson.” Bomb Magazine, October 31, 2012.
http://bombsite.com/issues/1000/articles/6765
Holland, Christian. “Tomashi Jackson’s Invisible Labor.” dis/patches, October 12, 2012.
http://christianholland.tumblr.com/post/33451746765/tomashi-jacksons-invisible-labor
Erickson, Ruth. “Innovate or Die-Boston.” Art Papers, May/June 2012.
http://culturecarousel.tumblr.com/post/22719590920/my-review-of-experience-economys-event-innovate
Briscoe, Daren. "Community Unveiled in Mural.” Los Angeles Times, April 25, 2004.
http://articles.latimes.com/2004/apr/25/local/me-mural25