Tomashi Jackson - Artists - Jack Tilton Gallery

This is an image of an artwork made by Tomashi Jackson in 2023 titled: Blessed Be the Rock (1920s Dearfield Group, 1970s Ruth Flowers in The Little Rectangle, & the 1972 Second Baptist Church Choir).

Tomashi Jackson
Blessed Be the Rock (1920s Dearfield Group, 1970s Ruth Flowers in The Little Rectangle, & the 1972 Second Baptist Church Choir), 2023
Acrylic, Yule Mountain Quarry marble dust, and Red Rocks soil on paper bags, canvas, and textile with PVC marine vinyl, brass hooks and grommets on a handcrafted wood awning structure
86 x 84 x 8 inches
(218.4 x 213.4 x 20.3 cm)

This is an image of an artwork made by Tomashi Jackson in 2023 titled: Here at the Western World (Professor Windham's Early 1970s Classroom & the 1972 Second Baptist Church Choir).

Tomashi Jackson
Here at the Western World (Professor Windham's Early 1970s Classroom & the 1972 Second Baptist Church Choir), 2023
Acrylic, Yule Mountain Quarry marble dust, and southern Colorado sand on paper bags, canvas, and textile with PVC marine vinyl, brass hooks and grommets on a handcrafted wood awning structure
87 x 114 x 9 1/2 inches
(221 x 289.6 x 24.1 cm)

This is an artwork made by Tomashi Jackson in 2023 titled: Ain't No Mountain (Participants of the Black School 1970s & Tourists at Pike's Peak 1925).

Tomashi Jackson
Ain't No Mountain (Participants of the Black School 1970s & Tourists at Pike's Peak 1925), 2023
Acrylic, southern Colorado sand, Yule Mountain Quarry marble dust, and Red Rocks soil on paper bags, wood, canvas and linen with PVC marine vinyl, brass hooks and grommets on a handcrafted wood awning structure
79 1/2 x 79 1/4 x 8 1/8 inches
(201.9 x 201.3 x 20.6 cm)

This is an image of an artwork by Tomashi Jackson made in 2022 titled: Day Glow (Backlash).

Tomashi Jackson
Day Glow (Backlash), 2022
acrylic, Yule Quarry marble dust, and paper bags on cavnas, linen, and textile with pvc marine vinyl mounted on a handcrafted wood awning structure with brass hooks and grommets
76 1/4 x 77 1/2 x 9 inches
(193.7 x 196.9 x 22.9 cm)

This is an image of an artwork made by Tomashi Jackson in 2022 titled: Golden Hour (Completing the Fair Deal).

Tomashi Jackson
Golden Hour (Completing the Fair Deal), 2022
acrylic, Yule Quarry marble dust, and paper bags on canvas with pvc marine vinyl mounted on a handcrafted wood awning structure with brass hooks and grommets
76 1/2 x 76 1/2 x 9 inches
(194.3 x 194.3 x 22.9 cm)

This is an image of an artwork by Tomashi Jackson on view at the Parrish Art Museum.

Tomashi Jackson
Among Protectors (Hawthorne Road and the Pell Case), 2021
acrylic and wampum dust on canvas, paper potato bags, and paper bags with archival prints on PVC marine vinyl mounted on a handcrafted Douglas fir awning structure with brass hooks and grommets
74 x 76 3/4 x 9 1/4 inches
(188 x 195 x 24 cm)

This is an image of a mixed media painting by Tomashi Jackson made in 2021 titled: Among Heirs (Niamuck and Azurest).

Tomashi Jackson
Among Heirs (Niamuck and Azurest), 2021
acrylic and wampum dust on canvas, cotton textiles, and paper bags with archival prints on PVC marine vinyl mounted on a handcrafted walnut awning structure with brass hooks and grommets
75 x 77 3/4 x 9 1/4 inches
(191 x 198 x 24 cm)

This is an image of a mixed media painting by Tomashi Jackson made in 2021 titled: Among Harvests (Aserrin de colores).

Tomashi Jackson
Among Harvests (Aserrin de colores), 2021
acrylic and soil from the Parrish Art Museum grounds, a former potato field, on canvas, cotton textiles, paper potato bags, and paper bags with archival prints on PVC marine vinyl mounted on a handcrafted walnut awning structure with brass hooks and grommets
73 1/2 x 78 x 9 1/4 inches
(187 x 198 x 24 cm)

This is an image of a mixed media painting by Tomashi Jackson made in 2021 titled: Among Sisters and Brothers (Three Families).

Tomashi Jackson
Among Sisters and Brothers (Three Families), 2021
acrylic and soil from the Parrish Art Museum grounds, a former potato field, on canvas, cotton texxtiles, paper potato bags, and paper bags with archival prints on PVC marine vinyl mounted on a handcrafted redwood awning structure with brass hooks and grommets
74 1/2 x 75 1/2 x 9 1/4 inches
(189 x 192 x 24 cm)

This is an image of an artwork made by Tomashi Jackson in 2021 titled: Someday We'll All Be Free (Pauli in Orange / Ruth in Blue).

Tomashi Jackson
Someday We'll All Be Free (Pauli in Orange / Ruth in Blue), 2021
acrylic on pentelic marble dust and paper bags laminated into archival cotton paper
72 x 55 inches
(183 x 140 cm)

Tomashi Jackson
Love Rollercoaster (2016 Butler County Line) (1965 John Lewis Accepts Voting Rights Act Signing Pen from LBJ) [side view], 2020
Acrylic, Pentelic marble, Ohio Underground Railroad site soil, American electoral ephemera, and paper bags on canvas and fabric
88 1/8 x 81 x 8 inches

Tomashi Jackson
Love Rollercoaster (2016 Butler County Line) (1965 John Lewis Accepts Voting Rights Act Signing Pen from LBJ) [detail view], 2020
Acrylic, Pentelic marble, Ohio Underground Railroad site soil, American electoral ephemera, and paper bags on canvas and fabric
88 1/8 x 81 x 8 inches

Tomashi Jackson
Contradiction (1948 Head of Voter Registration Line)(1965 Clarence Mitchell, Patricia Roberts Harris, and others watching the Signing of the Act), 2020
Acrylic, Pentelic marble, Ohio Underground Railroad site soil, American electoral ephemera, and paper bags on canvas and fabric
89 1/2 x 80 x 8 inches

Tomashi Jackson
Time and Space (1948 End of Voter Registration Line)(1965 LBJ Signs the Voting Rights Act), 2020
Acrylic, Pentelic marble, Ohio Underground Railroad site soil, American electoral ephemera, and paper bags on canvas and fabric
89 3/8 x 83 3/4 x 8 inches

Tomashi Jackson
I Want To Be Free (O-H-I-O)(Bad Bargain)(2012 Cuyahoga County Voting Line)(2016 Butler County Voting Line), 2020
Acrylic, Pentelic marble, Ohio Underground Railroad site soil, American electoral ephemera, and paper bags on canvas and fabric
88 1/4 x 84 1/2 x 8 inches

Tomashi Jackson
Is Anybody Gonna Be Saved? (1948 Middle of Voter Registration Line)(1965 Abernathy and King Watch the Signing of the Act), 2020
Acrylic, Pentelic marble, Ohio Underground Railroad site soil, American electoral ephemera, and paper bags on canvas and fabric
92 x 80 x 8 inches

Tomashi Jackson Mary Lyons, Yudy Ventura &amp; the Co-op Women (Red Line/Red Scare), 2019

Tomashi Jackson
Mary Lyons, Yudy Ventura & the Co-op Women (Red Line/Red Scare), 2019
Acrylic, oil, and image transfer on paper and muslin with digital prints on vinyl on paper and muslin
76 3/4 x 75 1/4 inches

Tomashi Jackson
Heiresses (The Central Park Plan), 2019
Acrylic, oil, silkscreen, image transfer on paper and canvas with digital prints on vinyl
81 1/4 x 79 inches

Tomashi Jackson Mary Lyons, Yudy Ventura, &amp; the Co-op Women (Blues People), 2019

Tomashi Jackson
Mary Lyons, Yudy Ventura, & the Co-op Women (Blues People), 2019
Acrylic, oil, and image transfer on paper and muslin with digital prints on vinyl
89 x 73 1/4 inches

Tomashi Jackson
Press and Curl (Black and Brown People's Mortgage Free Homes), 2019
Silkscreen on mylar on canvas
60 1/2 x 85 x 24 inches

Tomashi Jackson
John Brown's Body (Mr. Dorce in Red), 2019
Mixed media and collage on paper and muslin
58 1/4 x 50 1/4 inches

Tomashi Jackson
Redefined Redline (Seneca Village, Arturo Schomburg, Mr. Dorce) (Requiem for my Adams Blvd.), 2019
Acrylic, oil, image transfer, and buttons on paper and muslin with digital prints on vinyl
58 x 54 inches

Tomashi Jackson
Silent Sprint I, 2019
Mixed media and spring water soil on paper and muslin
51 x 40 1/2 inches

Tomashi Jackson
Brooklyn (Turned Upside Down), 2019
Mixed media on paper and muslin
60 x 44 inches

Tomashi Jackson
Brooklyn (Co-op Meeting), 2019
Acrylic on paper and muslin with silkscreen on canvas
61 x 41 1/4 inches

Tomashi Jackson
Red Light District (Orange Juice) (Supreme Court of Brooklyn Protest), 2019
Acrylic, image transfer and oil on muslin and gauze with digital prints on vinyl
79 1/2 x 54 inches

Tomashi Jackson
Color Study (Mayor Doubles Down) (Same Old, Same Old), 2019
Acrylic fiber, digital prints on vinyl on wood
55 1/4 x 47 x 8 inches

Tomashi Jackson Make Two Black Property Owners Look Like One (Limited Value Exercise) (Mr. Lyons &amp; Mr. Dorce), 2019

Tomashi Jackson
Make Two Black Property Owners Look Like One (Limited Value Exercise) (Mr. Lyons & Mr. Dorce), 2019
Silkscreen on paper
24 x 35 3/4 inches

Tomashi Jackson
Skirt, 2018
Mixed media on gauze, canvas and paper
59 x 40 inches

Tomashi Jackson
Peaches and Cream (The Gerrymander), 2018
Silkscreen, oil, and acrylic on gauze, canvas and paper
35 x 30 inches

Tomashi Jackson
Standing at the Bus Stop, Sucking on a Lollipop (White Peaches, Red Square), 2018
Silkscreen, oil, Georgia red clay, and acrylic on canvas and paper
39 1/2 x 33 inches

Tomashi Jackson
Interstate Love Song (Friends of Clayton County Transit) (Pitts Road Station Opposition), 2018
Mixed media
40 1/4 x 111 1/2 x 42 1/4 inches

Tomashi Jackson
The Essence of Innocence: Texas Pool Party, 2016
Mixed media on paper
22 x 30 inches

Tomashi Jackson
Rule of the Rustics (Krista) (Limited Value Exercise), 2018
C-print mounted on sintra
33 3/4 x 60 inches

Tomashi Jackson
Chattahoochee River Camouflage (Derek) (1970 Home Values Map), 2018
C-print mounted on sintra
33 3/4 x 60 inches

Tomashi Jackson
Chattahoochee River Camouflage (Michi) (Interstate), 2018
C-print mounted on sintra
33 3/4 x 60 inches

Tomashi Jackson
Avocado Seed Soup (Davis, et. al. v County School Board of Prince Edward County)(Brown, et. al. v Board of Education of Topeka)(Sweatt v Painter), 2016
Mixed media on gauze, canvas, rawhide and wood
111 x 168 x 32 3/4 inches

Tomashi Jackson
States' Rights (Brown et al. vs The Board of Education of Topeka, Kansas)(Limited Value Exercise)), 2017
Mixed media on gauze
89 x 91 x 45 inches

Tomashi Jackson
Upright, Colored, and Free, 2017
Mixed media on wood frame
75 x 54 x 10 inches

Tomashi Jackson
Dajerria All Alone (Bolling v Sharpe (District of Columbia))(McKinney Pool Party), 2016
Mixed media on cotton and canvas
101 x 72 3/8 inches